Acoustica



Acoustical
  1. Alderson, G., Sully, D., & Sully, H. An operational analysis of a one-handed catching task using high speed photography. Journal of Motor Behavior, 1974, 6, 217–226.Google Scholar
  2. Bernstein, N., The coordination and regulation of movements. Oxford: Pergamon Press, 1967.Google Scholar
  3. Chomsky, N., & Halle, M. The sound pattern of English. New York: Harper & Row, 1968.Google Scholar
  4. Clarke, E., Timing in the performance of Erik Satie’s ›Vexations‹. Acta Psychologica, 1982, 50, 1–19.CrossRefGoogle Scholar
  5. Cooke, J., The organization of simple skilled movements. In G., Stelmach & J. Requin (Eds.), Tutorials in motor behavior. Amsterdam: North Holland Publishing Company, 1980, pp. 199–212.CrossRefGoogle Scholar
  6. Craik, K., The nature of explanation. Cambridge: Cambridge University Press, 1943.Google Scholar
  7. Creelman, C. D., Human discrimination of auditory duration. Journal of the Acoustical Society of America, 1962, 34, 582–593.CrossRefGoogle Scholar
  8. Cutler, A., & Isard, S. The production of prosody. In: B. Butterworth (Ed.), Language production I. New York: Academic Press, 1980, pp. 245 - 269.Google Scholar
  9. Fowler, C., Coarticulation and theories of extrinsic timing. Journal of Phonetics, 1980, 8, 113–133.Google Scholar
  10. Gee, J., & Grosjean, F., Performance structures: A psycholinguistic and linguistic appraisal. Cognitive Psychology, 1983, 15, 411–458.CrossRefGoogle Scholar
  11. Genest, M. L’analyse temporelle du travail dactylographique. Bulletin du Centre d’Etudes et Recherches Psychotechniques, 1956, 5, 183–191.Google Scholar
  12. Hollerbach, J., A competence model of handwriting. Visible Language, 1979, 13, 252–264.Google Scholar
  13. Huggins, A., Speech timing and intelligibility. In: J., Requin (Ed.), Attention and performance VII. Hillsdale, NJ: Lawrence Erlbaum Associates, 1978, pp. 279–297.Google Scholar
  14. Jones, M. R., Structural organization of events in time. In: J. A., Michon & J. L., Jackson (Eds.), Time, mind, and behavior. Heidelberg: SpringerVerlag, 1985, pp. 192–214.Google Scholar
  15. Kent, R., & Minifie, F., Coarticulation in recent speech production models. Journal of Phonetics, 1977, 5, 115–133.Google Scholar
  16. Kristofferson, A. B., Quantal and deterministic timing in human duration discrimination. In: J. Gibbon & L. G. Allan (Eds.), Timing and time perception. Annals of the New York Academy of Sciences, vol. 423, 1984, pp. 3–15.Google Scholar
  17. Lee, D., Lishman, J., & Thomson, J. Regulation of gait in long jumping. Journal of Experimental Psychology: Human Perception and Performance, 1982, 8, 448–459.CrossRefGoogle Scholar
  18. Lerdahl, F., & Jackendoff, R., A generative theory of tonal music. Cambridge, MA.: MIT Press, 1983.Google Scholar
  19. Liberman, M., & Prince, A., On stress and linguistic rhythm. Linguistic Inquiry, 1977, 8, 249–336.Google Scholar
  20. Macar, F., Time, psychophysics and related models. In: J. A., Michon & J. L., Jackson (Eds.), Time, mind, and behavior. Heidelberg: Springer Verlag, 1985, pp. 112–130.Google Scholar
  21. MacNeilage, P., Distinctive properties of speech control. In: G., Stelmach & J., Requin (Eds.), Tutorials in motor behavior. Amsterdam: North Holland Publishing Company, 1980, pp. 607–622.CrossRefGoogle Scholar
  22. McGill, W. J., Random fluctuations of response rate. Psychometrica, 1962, 27, 3–17.zbMATHCrossRefGoogle Scholar
  23. Michon, J. Programs and joangt;programsjoanlt; for sequential patterns in motor behaviour. Brain Research, 1974, 71, 413–424.CrossRefGoogle Scholar
  24. Morasso, P., Mussa Ivaldi, F., & Ruggiero, C., How a discontinuous mechanism can produce continuous patterns in trajectory formation and handwriting. Acta Psychologica, 1983, 54, 83–98.CrossRefGoogle Scholar
  25. Nooteboom, S. G., Afunctional view of prosodie timing in speech. In: J. A., Michon & J. L., Jackson (Eds.), Time, mind, and behavior. Heidelberg: Springer Verlag, 1985, pp. 242–252.Google Scholar
  26. Ohala, J., The origin of sound patterns in vocal tract constraints. In: P. MacNeilage (Ed.), The production of speech. New York: Springer Verlag, 1983, pp. 189–216.CrossRefGoogle Scholar
  27. Poulton, E. C., On prediction in skilled movements. Psychological Bulletin, 1957, 54, 467–478.CrossRefGoogle Scholar
  28. Povel, D. J., Time, rhythms and tension: In search of the determinants of rhythmicity. In: J. A., Michon & J. L., Jackson (Eds.), Time, mind, and behavior. Heidelberg: Springer Verlag, 1985, pp. 215–225.Google Scholar
  29. Rasch, R., Synchronization in performed ensemble music. Acoustica, 1979, 43, 121–131.Google Scholar
  30. Rumelhart, D. E., & Norman, D. A., Simulating a skilled typist: A study of skilled cognitive-motor performance. Cognitive Science, 1982, 6, 1–36.CrossRefGoogle Scholar
  31. Sacerdoti, E., Planning in a hierarchy of abstraction spaces. Artificial Intelligence, 1974, 5, 115–135.zbMATHCrossRefGoogle Scholar
  32. Seashore, C. E., Psychology of music. New York: McGraw-Hill, 1938.Google Scholar
  33. Shaffer, L. H., Latency mechanisms in transcription. In: S., Kornblum (Ed.), Attention and performance IV. New York: Academic Press, 1973, pp. 17–41.Google Scholar
  34. Shaffer, L. H., Timing in the motor programming of typing. Quarterly Journal of Experimental Psychology, 1978, 30, 333–345.CrossRefGoogle Scholar
  35. Shaffer, L. H., Performances of Chopin, Bach and Bartok: Studies in motor programming. Cognitive Psychology, 1981, 13, 327–376.CrossRefGoogle Scholar
  36. Shaffer, L. H., Rhythm and timing in skill. Psychological Review, 1982, 89, 109–122.CrossRefGoogle Scholar
  37. Shaffer, L. H., Timing in solo and duet piano performances. Quarterly Journal of Experimental Psychology, 1984, 36A, 577–595.CrossRefGoogle Scholar
  38. Shaffer, L.H., Clarke, E., & Todd, N., (in press). Metre and rhythm in piano playing.To appear in Cognition.Google Scholar
  39. Sussman, H., & Westbury, J., The effects of antagonistic gestures on temporal and amplitude parameters of anticipatory labial coarticulation. Journal of Speech and Hearing Research, 1981, 24, 16–24.Google Scholar
  40. Terzuolo, C., & Viviani, P., Determinants and characteristics of motor patterns used for typing. Neuroscience, 1980, 5, 1085–1103.CrossRefGoogle Scholar
  41. Teulings, H-L., & Maarse, F., Digital recording and processing of handwriting movements. Human Movements Science, 1984, 3, 193–217.CrossRefGoogle Scholar
  42. Thomassen, A., & Teulings, H-L., Time, size and shape in handwriting: Exploring spatio-temporal relationships at different levels. In: J. A., Michon & J. L., Jackson (Eds.), Time, mind, and behavior. Heidelberg: Springer Verlag, 1985, pp. 253–263.Google Scholar
  43. Vorberg, D., & Hambuch, R., On the temporal control of rhythmic performance. In: J., Requin (Ed.), Attention and performance VII. Hillsdale, NJ: Lawrence Erlbaum Associates, 1978, pp. 535–555.Google Scholar
  44. Wing, A., & Kristofferson, A. B., Response delays and the timing of discrete motor responses. Perception and Psychophysics, 1973, 14, 5–12.CrossRefGoogle Scholar

Acoustical Wall Panels

Get the guaranteed lowest price on Acoustica musical gear. Free shipping on most orders. 8% back in rewards. Amsterdam's cultural city paper. Download Acoustica's mp3 software. Audio Converter Pro; Convert to and from MP3, OGG, WMA & WAV files.

Reference Notes

Acoustica Nightlife

  1. Kozhevnikov, V., & Christovich, L. Speech: Articulation and perception (Publication no. 30543 ). U.S. Department of Commerce, Washington DC, 1965.Google Scholar
  2. Todd, N., A model of expressive timing in tonal music. In preparation.Google Scholar